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Sudden Stop
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Which one?  

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  1. 1. Which one?

    • Leona
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As Tom Morton mentioned on the radio recently, it comes at a good time for Leonard Cohen in terms of royalties, after losing most > Saw KD Lang on TV singing her version in the atmospheric surrounds of BBC4's St Lukes sessions -

 

http://uk.youtube.com/watch?v=vofPGe1iUxg

 

According to the Beeb, there are over 50 versions of Hallelujah

 

http://news.bbc.co.uk/1/hi/magazine/7787355.stm

 

and you can take a quiz with audio clips of 8 versions at

 

http://news.bbc.co.uk/1/hi/entertainment/7783704.stm

 

According to this

 

http://www.telegraph.co.uk/culture/music/3554289/Leonard-Cohen-Hallelujah!.html

 

it's been covered more than 100 times.

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It's amazing the different approaches people take to the song. Some people tend to over-sing it - I think kd Lang does, and this X Factor woman certainly does, and crucifies it in the process. There's no engagement between the singer and the words.

John Cale does it really well - singing it pretty straight - and Jeff Buckley's is good, but a bit overwrought. There's even a recording of Dylan singing it live on Youtube, which is pretty good too.

I don't see why folk don't approve of the original though - I think it's great. Leonard's the only one who manages to make the humour come out (how could a line like "Really, what's it to ya?" rhymed with "Hallelujah" not be funny?) I was at the concert in Glasgow Fifi. It was amazing, and this song was just fantastic. (I also had a spare ticket, which I couldn't even give away in the end!)

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There are several good versions, but my favourite is probably Rufus Wainwright's - which I think he recorded for, of all things, the Shrek soundtrack! Quite a faithful and respectful cover, though, and for once Rufus doesn't go over the top.

 

Shouldn't there be a list of songs which pop idol/strictly come singing-type shows should be banned from tackling? Or perhaps we should just ban the shows themselves for crimes against music...

 

I read an excellent article about the music industry this week paraphrasing Orwell, saying that people genuinely in it for the music are being cast aside: "The most likely vision of the future is a grinning Simon Cowell, stamping on anything of quality, for ever."

(http://www.guardian.co.uk/commentisfree/2008/dec/16/musicindustry-popandrock)

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I don't see why folk don't approve of the original though - I think it's great. Leonard's the only one who manages to make the humour come out (how could a line like "Really, what's it to ya?" rhymed with "Hallelujah" not be funny?)

:) I've liked him since ooh the seventies. I know some find him a slit-yer-wrists singer but I think he's great late night, if yer in the mood.

I was at the concert in Glasgow Fifi. It was amazing, and this song was just fantastic. (I also had a spare ticket, which I couldn't even give away in the end!)

Oh Malachy! If only.. ;)

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It was about three hours in total, with a 15 minute interval in the middle. Which is pretty amazing for a man of 74! He looked full of energy, (literally) skipping on and off stage. His voice is as good as it's ever been, possibly better - just astonishingly deep and rich. And the band were without doubt the tightest bunch of musicians I've ever seen (musically speaking that is). Basically it was flawless, and extremely beautiful.

 

PS Suddenstop, I think Jeff Buckley was dead before Damien Rice was ever heard of, so I think it must be the other way round.

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Which is pretty amazing for a man of 74! He looked full of energy,

When I saw him he must have been about 50. At the time I was struck by how long he played for such an old man. He was captivating but ultra laidback and mostly in power-save mode. Maybe that's his secret; behave old before it is necessary, and then get a second wind :-)

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